The Duke of Savoy Vittorio Amedeo II, after observing the siege of Turin by the French army from the hill of Superga, expressed a vote: in case of victory the Piedmontese army would have raised a large Basilique on the site. The Piedmontese army won, and the construction works in 1717 were entrusted to the architect from Messina Filippo Juvarra, at the time known throughout Europe as a set designer: from the theatrical experience acquired all the perspective tricks and the play of light existing, characteristic of the Baroque taste.
Photo di Rollopack
For his masterpiece, Juvarra chose a central plan and a deep colonnaded portico inspired by the Bernini's Pantheon, and the two towers on the side recall the Borromini's projects. Bernini and Borromini were both founders of Baroque art. The magnificent eight-columned portico introduces us to the interior of the Superga Basilique, where there is a mosaic marble paving, the Altar of the Annunciation and the Altar of the Nativity of the Virgin Mary. There are also the Regal Tombs. The large dome of the Superga Basilique recalls the dome of Saint Peter's Square in Rome. The Basilique architecture includes teaching from master across the Alps.